In the mist room, in the dim light, the steaming heat is floating and overflowing. The flickering male bodies, sucking each other's desire and loneliness, the more squeezed, the thirsty. You seem to have entered the forbidden area by mistake in formal attire, falling between dream and waking, staring, and being stared at. You can't remember how you came here or how to get out. Theater and video director Zhou Dongyan once again touched the life experience of gay men’s community culture that is hard to articulate but difficult to cut. This time, he moved the poetic lens language into VR, taking you and me to the male sauna, peeling off the layered desires, and exploring the hidden love in some kind of lovelessness.

In the Mist

Ming-Cheng started his ambitious plan about shooting photos of himself handstand in different places around the world at the age of 26. In 2-3 years, his first voyage was accomplished with a series of breathtaking photos featuring characteristic Taiwanese scenery, street view and local people. His production "Transparent Kingdom" inspired by this journey was awarded the Jury's special award of the remarkable Taishin art prize.