This film tells the story of a young man who saves his adopted sister from the hands of Portuguese invaders.

Jaka Swara

The people of Pandanwangi village are upset at news that their land will be appropriated by a large conglomerate. Conflict over the land emerges and escalates between the villagers and representatives of the conglomerate. The villagers have come to view the situation as more of a matter of morality than of land ownership after finding out that a bar and billiards center will be built there. The head of the village’s Islamic boarding school, H. Murad, who is assisted by H. Rhoma, attempts to influence the villagers to refuse to sell their land. Eventually, the charismatic religious leader KH Zainuddin MZ succeeds in mediating the conflict, and even influences the conglomerate owner, Bustomi (WD. Mochtar), to rethink his plans. The land conflict theme of this film is interesting in that it reflects the social issues arising out of the rapid pace of development of the time.  This may be Rhoma Irama’s best film, even though it was not very popular.

Nada dan Dakwah

Rhoma (Rhoma Irama), succeeds in rescuing a young woman, Maya (Ria Irawan), who was forced into making pornographic movies by a gang led by Santos (Leroy Osmani). This causes tension between Rhoma and his wife, Aida (Ida Iasha), who misunderstands the situation. In the meantime, Rhoma is abducted by the Santos gang to exploit as a partner for Maya in a pornographic film. Everything turns out all right for Rhoma, Aida and Maya.

Tabir biru

Ridho, who is studying overseas, is called home by his father, Rhoma Irama, to continue his struggle of giving "a new style" to Dangdut music. But Ridho is undecided about going back to Thufa, his love from junior high school or to stay with his new love, Haura, an Australian college student who is researching dangdut music. Meanwhile, Thufa is asked by Delon, a talented young singer, to get engaged. Their lives are complicated by Bruto, an obsessive fan of Rhoma Irama, the king of dangdut of Indonesia.

Dawai 2 Asmara

Rhoma Irama, a traveler, are visiting mosques in Lombok to enhance ties and strengthen the Islamic brotherhood among mosques administrators that are joined in the Fahmi Tamami forum. By chance Rhoma meets a widow, Sohiba, and her daughter Saimah. Their mosque is the target of Towi, a businessman scheming to build the biggest gambling area of Lombok in place of Sohiba’s mosque and house.  Towi tricks Ridho, Rhoma’s son, turning him against his father so that Rhoma has to face Towi and his own son during the land feud. Ridho revolts against his father partly due to his love toward Towi’s sole daughter.  Rhoma accepts Towi’s duel challenge in order to determine the one who will be entitled of Sohiba’s house and mosque. Meanwhile Towi’s men intimidate Sohiba and her daughter, seizing a prayer mat with Kabah image on it, woven by her.