Lee Wai is just been released from prison and is trying to start a new life. He has been imprisoned for commiting a robbery. He visits a gangster, Wong, who had been his partner in the robbery, to ask for his share, which Wong had actually already spent. Wong humiliates him. Later he gathers together a gang and smashes Wais taxi, which Wai relies on to make a living. Now, all hell breaks loose.

Big Brother

Ma publishes books; his marriage is flat and his wife wants attention, so she arranges a photo session in bed with Si, a gay decorator, to make Ma jealous. Her friend, Linda Lo, also unhappily married, is there as well, dressed for the photos, and Si's lover is hiding in another room. Enter Henry Lo with a call girl, and Ma himself, intent on killing Si. Chance intervenes: a best-selling author and a prude, Lovely Pak, pays a call; she wants Ma to publish her books. Mistaken identities and everyone's attempt to seem conservative to please Pak lead to chaos: Si pretends to be Ma; Ma pretends to be a servant. Will Miss Pak sign a contract, and can the married couples find harmony?

Naughty Couple

In the life of Mr. Lai Man-wai, he had seen the most turbulent times of recent Chinese history. From the fall of the Qing Dynasty to the founding of the Republic, from the Sino-Japanese War to the founding of the People’s Republic. With a patriotic spirit, he joined the revolution and used the theatre to promote the revolutionary course. For a ‘stronger China’, and ‘education for all’, he chose film as his life long goal and career. Lai was more than the father of Hong Kong cinema was; he was also one of the pioneers of the Chinese cinema. He made Hong Kong’s first short fiction film ‘Zhuangzi Tests His Wife’. He opened the first Chinese owned cinema, the New World Cinema, in Hong Kong…. In the several decades, Lai had devoted his life and fortune in writing this glorious inaugural chapter in early Chinese film history. The technical enhancement, the introduction of foreign techniques and equipment were all part of his contribution to the Chinese cinema.