Egy’s wife, Cece, controls him in all matters including office work and home affairs. Furthermore, Egy is also under the control of his brother-in-law, Yudho. For the sake of a big project, Egy, is ordered to approach Eya, the mistress of a powerful official. His proximity with Eya makes Cece jealous, but also makes Egy realise that his in-law’s business is not environment-friendly. He begins to rebel and stops being a puppet. He reclaims his rights as a husband back.

Doll from Indiana

Olga, a high school student, is obsessed with roller skating.

Olga dan Sepatu Roda

The story of two young people from wealthy families who are looking for their own individual identities. Ramona (Lydia Kandou), who hates the patriarchal attitude men have toward women, immerses herself in the lives of the less fortunate people around her. Ramadhan (Djamal Mirdad), who is descended from Malaysian nobility, is in Jakarta gaining work experience as a low level company employee. The two young people meet in Jakarta and begin to like each other. The blossoming romance between these two young people who are each keeping their backgrounds secret from the other conveyed in a light and humorous tone. Eventually, however, they find out about each others' backgrounds. Ramona backs off, while Ramadhan continues to pursue her.

Ramadhan dan Ramona

Dedi (Dede Yusuf), who married Menul (Ayu Azhari), when they were very young, tries to make a living as a clown at an amusement park. This job does not pay enough for him to make ends meet, so he and a number of his friends try to find a way out of the poverty they are trapped in. The opportunity comes when they find a the wallet of a wealthy man, who is impressed when they return it to him, and provides them with the capital to open a food stall, which they use as a stepping stone toward opening a restaurant. Through this story, the director, Chairul Raya, attempts to depict the way of life of the poor, while using the subplot of the love story between the clown and his wife  to display his disdain for the mainstream tendencies in the Indonesian film industry. This film is at once moving and humorous.