Jean-Pierre Costa is a football manager upon whom fate appears not to be smiling. First, a friend, Annabelle, dumps a pet Labrador named Didier on him whilst she goes off to make a report in Los Angeles. Next, one of his star players is injured, leaving him one player short for a crucial match. As if things could not get any worse, Costa wakes up one morning to find that that Didier has been transformed into a man...

Didier

Camille, a mercurial César-winning actress, has seen better times. Estranged from her husband, she's with her children only every other weekend. It's her weekend, but her agent has booked her to MC a Rotary club dinner in Vichy. She takes them with her, and when her husband learns this, he demands to pick them up at once. She bolts in a rented car to the seaside, trying to improve her relations with the children, especially the precocious and distant Vincent. He loves astronomy. A rare meteor shower is due in a few days, so she suggests they go to a plateau in Spain hoping to see it. He agrees, but the relationship remains difficult, and her husband is on their trail.

Every Other Weekend

The idea for this film about a generation and its lost ideals came to Romain Goupil after attending several funerals of friends in the fall of 1996, where the '68 generation, now in influential positions in media or politics, kept meeting each other. It seemed as if the revolution that they had tried to make was being buried with each coffin. A MORT LA MORT is in some ways an homage to this generation, now in their fifties. They were a privileged generation that thought that they could change the world, doing everything that their parents failed to do. There were no actual deaths in France as there were in Germany or Italy, but the system was not ideal for personal issues or for love. There was always a scapegoat for the injustices of the world, be it capitalism or imperialism. That way the blame could be placed somewhere else. Some of the '68 generation are still faithful to the principles of their youth and still continue to fight for the illusions of the past.