Bill Wong works on a wide variety of films, some of modern setting, some with historical backgrounds; some are award winners, some lesser known. As a cinematographer, he does not strive for personal style. Instead, he concentrates on fulfilling the potential of the film and realizing his director’s designs. He is a consummate team player. This documentary features interviews with Wong and five directors with whom he has worked – Patrick Tam, Ann Hui, Tony Au, Lee Chi-ngai and Shu Kei, tracing the paths on which they have travelled together.

Landscape On the Other Side: Hong Kong Cinematographer Bill Wong

A tragic love story set against the always volatile and oftenviolent backdrop of Shanghai during the Japanese occupation and at the opening of the Pacific Theater of the Second World War. A nightclub singer becomes involved with both a member of the Chinese resistance and an officer of the Japanese army.

Au Revoir, Mon Amour

Hiu-tung (Veronica Yip) is a naïve young wife who is forced to raise her child alone after her gangster husband skips town for Taiwan. Her next-door neighbor is Ching-man (Tony Leung Kar-fai), a cop still coming to terms with his partner's sudden, inexplicable suicide. Inevitably, the two begin to find solace in each other's company -- Ching-man even acting as a sort of surrogate father for her son -- and soon in each other's arms. Just as true love seems about to bloom, Hiu-tung's thuggish husband returns.

A Roof with a View

Narcotics officer Shaolun (Tony Leung Ka Fai), in order to bring down the local drug kingpin King (Michael Wong), forces a female street thug with an equally sketchy past, Coco (Rosamund Kwan) to infiltrate King's organization and provide information. What no one expected was for both men to fall for Coco, and Coco for King.

A Touch of Evil

Ryuichi Okagawa, a Japanese writer who worked as a reporter in China has been sick ever since his return home. While in China, Okagawa had met a devoutly religious girl named Jin-hua. Okagawa was born with a predisposition to agonizing recurrent migraines, but found happiness with Jin-hua and married her. Unfortunately, he already had a wife in Japan, and this revelation crushed Jin-hua. When Okagawa returned home, leaving Jin-hua behind, she was forced to work as a prostitute, catching both a severe case of the flu and a rather less socially acceptable condition. Meanwhile, Okagawa's guilt has torn him apart enough for him to return to China in an attempt to bring Jin-hua home with him to get medical attention, but the girl is already too far gone for his help.