A story of an army colonel who is fighting the accusations in committing war crime but his only witness is comatose in the hospital.

The War After

In spite of blood ties to both Haifa's Jewish and Arab populations, Moshe (Moshe Ivgy) leads a rootless existence. Grown weary of his impatient wife Didi (Keren Mor) and ambivalent about his needy young mistress Grisha (Natali Atiya), the only relationships Moshe doesn't complicate are with his devoted parents, Jewish Hanna (Meron) and Arab Yussuf, and with Jules (Juliano Mer), Moshe's ne'er-do-well childhood friend. But when Jules' real estate developer brother moves to buy a prized piece of property from the Arab side of the family, Moshe's divided ancestry is put to the test.

Day After Day

Autumn 1996. Avner, a highly-regarded Professor of Arts and his young wife, Ilana, come to visit the family farm run by Rachel and Shouki, (his children from a first marriage) and Menahem (the brother of his deceased first wife). Avner is in pain and needs a doctor. Rachel calls up Joel a physician and a friend of the family. Joel and Ilana are having a secret relationship that began during a previous visit to the farm. Menahem is in love with Ilana and Rachel with Joel. They are unaware of the love affair between Ilana and Joel. Avner came this time to the farm with a proposition to sell the farm. This brings all the latent conflicts in the family to break loose. The movie, inspired by Tchekovs "Oncle Vania", is above all an Israeli story. It depicts the weariness, the frustrations and pain of large segments of Israeli society, their love to the land and to one another, their dreams and their hope.

Weekend in the Galilee

The film intertwines historical events and intimate memories. I observe how architecture represents the transformations of society and those who give form to this architecture. We follow the journey of Munio, my father, born in 1909 in Silesia, Poland, the son of a tenant farmer of a Prussian junker. At the age of 18, Munio goes to Berlin and Dessau to meet Walter Gropius, Kandinsky and Paul Klee at the Bauhaus. In 1933, the Bauhaus was closed by the Nazis, who accused Munio of treason against the German people. Munio was imprisoned, then deported to Basel. He left for Palestine. Upon his arrival in Haifa, he began a career as an architect and adapted European modernist principles to the Middle East.