This is the second installment of a three-part series of autobiographical films about the director's life. The first, which won various awards for its maker, was entitled Zamri Oumi Voskresni and was later retitled Zari, Umri, Vokresni ("Freeze-Die-Come to Life"). At the end of that film, set at the conclusion of World War II, the young Valerka was striving hard to overcome the inertia of just getting by, along with his sometime friend Galiya. In this one, he is adjusting to Galiya's death and is back in school and is living with his mother, a prostitute. After a girl at the school is found to have been gang-raped, the headmaster chooses Valerka to be one of the scapegoats, though he had nothing to do with the deed. The punishment seems mild enough, he was simply expelled from school. However, after quarrelling with his mother about the incident, he takes to the road, and discovers a society so bleak, degraded and hopeless that it is a wonder he remained alive.

An Independent Life

Every woman considers herself happy if she finds three people in one man: a lover, a husband and a father. The heroine of the film did not have this happiness. Mario, an Italian, is the one who replaces her father in her life. Gunar, a private detective, claims to be a lover. The one who could become her husband disappears at the beginning of the film.

Bez obratnogo adresa

A terminal diagnosis forces a career-obsessed advertising executive to rethink his priorities, relationships and outlook on life.