Filmmaker Trevor Graham is an Australian 'hummus tragic'. Every week in his Bondi Beach home he observes the hummus making ritual, mashing chickpeas, lemon juice, garlic and tahina. But when the Hummus War erupted in 2008, among the usual suspects, Israel, Lebanon and Palestine, Graham was hungry for more. But this war ha no soldiers, bullets or tanks. Just chickpeas and hummus. Make Hummus Not War is a humorous homage to the chickpea's most distinguished dish. But there's a personal story, how Graham became a hummus tragic, a father who served in Palestine during WW2 and two lovers in his life, one Syrian, one Jewish, with whom he shared a great culinary passion.

Make Hummus Not War

On 1 December 1942, a US bomber called Little Eva was returning to base after a bombing raid over New Guinea. The plane hit a tropical storm and crashed at Moonlight Creek in the southeast corner of the Gulf of Carpentaria, in Australia's far north. The events that followed were recorded both in the journal of an American survivor and in a spectacular corroboree created by the Yanyuwa people who searched for Little Eva and her crew.

Aeroplane Dance

On June 3rd 1992, six months after Eddie "Koiki" Mabo's tragic death, the High Court upheld his claim that Murray Islanders held native title to land in the Torres Strait. The legal fiction that Australia was empty when first occupied by white people had been laid to rest. Mabo-Life of an Island Man tells the private and public stories of a man so passionate about family and home that he fought an entire nation and its legal system. Though his greatest victory was won only after his death, it has forever ensured his place - on Murray Island and in Australian history.

Mabo: Life of an Island Man

Tosca is a tale of love, torture and despair—and that’s before the curtain goes up on this Opera Australia production at the Sydney Opera House. Mid-winter and money is tight at Opera Australia as rehearsals begin for Puccini’s perennial favourite Tosca, a story of love, betrayal and murder set amid the political turmoil of 19th century Rome. With only three weeks before the curtain goes up, not everyone is sure they will make it—least of all director Cathy Dadd and renowned Scottish conductor Roderick Brydon. The drama backstage equals the soaring emotion of Tosca itself. Tension builds and comes to a head in frustration, anger, tears and laughter. Then it’s opening night and they’re on. The filmmakers were granted no-holds-barred access to film behind the scenes, from day one of rehearsals to opening night at the Sydney Opera House. The result is an intimate and honest portrait of artists at work.