Winston arrives at NYU as a freshman, knowing he's gay and wondering where that fact will lead him. He falls hard for Tom, his temporary roommate who's soon to leave for L.A., and it's a big risk to express these feelings. Meanwhile, temptations and opportunities abound in the Village: sex in public toilets, uninhibited people at parties, and knowing Act-uppers. Plus, there are misinterpreted signals, like the ones Winston gets from a Moonie. With help from his hometown friend Anne, Winston keeps his equilibrium and finds the perfect place to meet someone: the Judy Garland rack at Tower Records.

A Friend of Dorothy

Bernadette Corporation describes this work as "A fashion film about the poetry of Stéphane Mallarmé and the color white." Produced for the 2000 Walker Art Center exhibition Let's Entertain, this short film employs a range of strategies to approach the idea of nothingness, emptiness, and vacuity, with an eye to how these notions relate to contemporary mass-cultural entertainment. Juxtaposing "documentary" takes on a fashion shoot with footage of semiologist Sylvère Lotringer giving an impromptu lecture on Mallarmé on a frozen lake, Hell Frozen Over maintains an ambiguous stance from which to both critique and celebrate the power of surface.