A young man sets out to the small town where his grandfather once lived to learn the story behind his death. There he learns from the town elders not only what happened to his grandfather but stories about old times and the ways the town has changed.

Grandpa Cheno and Other Stories

Juan Carlos Rulfo, the son of the acclaimed Mexican writer and photographer Juan Rulfo, travels to the plains of Jalisco in search of information on his father. What starts as a tribute to a great artist, however, becomes a meditation on aging and how it's affecting the history of a generation of great Mexican literature.

Juan, I Forgot I Don't Remember

A portrait of the construction workers involved in building the second deck of Mexico City's Periferico freeway.

In the Pit

Story about nostalgia, identity and memory, but above all, it has to do with love and dreams. It is an intimate journey about what happens with those who have relatives who have left for the United States in search of a better life, in an exploration of the consequences of migration.

Los que se quedan

A portrait documentary tracing the inspiration, philosophy and imagination of the celebrated theatre and screen writer - and Bunuel's long term collaborator - Jean Claude Carrière. Carrière predicts that between the house he was born in and the cemetery in which he will end there is a life journey of just 250 meters. "Carrière: 250 Meters" follows him as he reflects on the wealth of global traditions of storytelling, travelling through past and present, across countries and cultures from Paris to New York, Mexico and India and joined by his family, friends and collaborators. A testament to the life and work of an extraordinary man and a key architect in contemporary cinema.

Carrière, 250 Meters

Panzazo! It reflects the reality of education in Mexico and demonstrates that Mexican society panzazo passes in an exclusionary system in which no lessons for life are achieved. We see in this movie moms, dads, principals, teachers, officials, union representatives and opinion leaders to draw a global picture that does not allow indifference. The data, interviews and what the students filmed with handheld cameras give rise to indignation and intelligent to realize the part that touches everyone contribute. The project ran for three years entering the reality of the students and their families, capturing the daily dynamics of schools in such diverse parts of the country such as Ciudad Juarez, the interior of Yucatan, Morelia, the mountains of Chiapas and Guerrero, as well as Naucalpan and Iztapalapa in the metropolitan area of ​​Mexico City.  EDIT: To clarify, "de panzazo" means "just squeaking through."