"Each of my films is the exploration of a territory that I urgently want to understand", Allan King states in this elegantly structured and inspirational biography of one of Canada's most significant filmmakers. King's work has been central to the development of documentary film and direct cinema around the world, and he continues to make powerful films that confront and move us with the painful and beautiful understanding of what it is to be human. A beautifully constructed homage to the work and life of this accomplished filmmaker - Official Selection, 2006 Hot Docs Canadian International Documentary Festival.

Actuality: The Art and Life of Allan King

Leonardo da Vinci finds it difficult to pursue his own dreams while serving as the Duke's court artist, but young Roberto takes risk to convince the master not to give up on his dreams.

Leonardo: A Dream of Flight

A third of Estonia's people are Russian, most of them put there by Stalin. For Estonians it is like having a dragon's egg laid in your nest: you wait in fear for it to hatch. The Russians in Klooga, an abandoned Soviet Army base, are struggling to build a community with their new Estonian neighbours. Estonians would rather not give Russians citizenship, residence or jobs: they wish they would go home. But for Russians, Klooga is home.  A group of American scholars exploring ethnic reconciliation and democratic practice, led by Nobel Peace Prize nominee Vamik Volkan, offers $50,000 to any group of Estonians and Russians who can work together for a common goal. Twenty Russians and Estonians in Klooga form a committee and seize the challenge to build a better life for their children.

The Dragon's Egg: Making Peace on the Wreckage of the Twentieth Century

This film is about the experience of dying. Five terminal patients in a Palliative Care Unit share the last days of their lives and deaths with a film crew.

Dying at Grace

At Baycrest, an old-age home in Toronto, we follow a social worker as she talks to residents, particularly Max, Claire, Ida, and Rachel. The film opens on Claire's birthday, she's 89; Max, a tiny cheerful man, is her close friend. Rachel is lonesome, missing her son, complaining he rarely visits. Ida relies on memory for her solace. Helen has no memory and doesn't recognize her daughter; her moods swing. Murray keeps his cap on and likes women. Staff members bring medication, provide care, and offer small talk. Memory is fleeting: Claire re-experiences the death of a close companion several times, each time without remembering her previous grieving. Lives are circumscribed

Memory for Max, Claire, Ida and Company

Life in the housing projects of Scarborough, Ontario, Canada is documented.