Meet Chala, an eleven year-old boy with a hard life and strong respect for Carmela, his sixth grade teacher. The pair develops a solid bond, but after Carmela suffers an accident, things get complicated…

Behavior

The architecture student Estela (Silvia Aguila) makes a suicide attempt after her plans for solving Havana's housing shortage are rejected. This brings her into contact with earthy, cynical hospital nurse Ernesto (Jorge Perugorria). Estela invites him home for dinner, and he succeeds in offending everyone present. Unable to find a quiet spot to be alone, they finally find a squatters' tenement, where their sexual frenzy causes a ceiling to collapse. They next try vertical love in a stalled elevator, trapping people in the modern building minus stairs. Fleeing responsibilities, they stage a romantic rendezvous alongside a country river, but once again they are interrupted as Cuban commissars arrive with papers and forms because the couple constructs a hut beneath a bridge. Amid the misadventures, lust turns to love

Vertical Love

A young man, the victim of a severe beating, has been hospitalized in Havana. The perpetrator appears to have been a transvestite. Mercedes, a nurse, convinces Frank, an ex-cop, to investigate the case. Taking place entirely over the course of one night (December 28th; the "Day of the Innocents"), the man's hospital room becomes crowded with family and some unexpected visitors, gradually revealing family secrets, hidden desires, and the finally uncovering what exactly happened to the young man.

Night of the Innocents

In the manner of a well run Greek tragedy, leaving aside one of its components, dragging in its passing narrative certainty by the viewer that violent death is the hallmark of so much misfortune purifier, Los Dioses Rotos crowns the very successful arrival of Ernesto Daranas to the feature domains and with it, the team that accompanied him, including the actors.