The tale of two women: one a mass murderer, the other a child of one of her victims. Rather than focus on why one woman turned to murder, the story closely observes how she deals with her guilt.

Mörderinnen

They are actually the ideal couple: the successful style consultant Juliane runs a thriving beauty salon, in whose exclusive rooms her boyfriend René, a hip gallery owner, exhibits expensive pictures. While Juliane pampers the ladies of society with peelings, facial massages and manicures, her rich husbands let René advise them which artists are "in" at the moment. Business is booming, and their private relationship also seems to work like clockwork - Juliane and René have the same expensive taste right down to the slippers. As a successful business woman, Juliane has arrived where she always wanted to be. Nevertheless, she notes, at least subliminally, that she is anything but happy about it. She suddenly becomes aware of this when the impetuous carpenter Johannes, René's frame builder, bursts into her life. This coarse block, who always appears in overalls and never minces words, is actually not her type at all. But at Johannes' side, the tough businesswoman is repeatedly involved in bizarre and turbulent actions, in which long-forgotten joie de vivre flares up. This change does not remain without consequences, Juliane leaves René, but as a result, the exclusive customers soon stop and her business goes down the drain for the time being. When she then separates from Johannes in an argument, she is also privately on the ground. But Juliane doesn't give up - with a new business idea she opens up a new group of customers and is soon off the hook, at least financially. If only the story with Johannes could be put right again.