More of a film essay - of the type pioneered by Orson Welles and Chris Marker - than a standard documentary, German filmmaker Lutz Dammbeck's The Net: The Unabomber, the LSD and the Internet begins with the typical format and structure of a nonfiction film, and a single subject (the life and times of mail bomber Ted Kaczynski). From that thematic springboard, Dammbeck branches out omnidirectionally, segueing into a series of thematic riffs and variants on such marginally-related subjects as: the history of cyberspace, terrorism, utopian ideals, LSD, the Central Intelligence Agency, and Cuckoo's Nest author Ken Kesey and his Merry Pranksters.

The Net

'An Ecology of Mind' is a filmic portrait of anthropologist, biologist, and psychotherapist Gregory Bateson. Bateson believed that, 'The major problems in the world are the result of the difference between the way nature works and the way people think.' Seen through the relationship between father and daughter, this documentary is an invitation into 'systems thinking' and interrelationships in the natural world. 'Looking at what holds systems together is a radical step toward sewing the world back together, from the inside.'

An Ecology of Mind

The atomic bomb, the specter of a global nuclear holocaust, and disasters like Fukushima have made nuclear energy synonymous with the darkest nightmares of the modern world. But what if everyone has nuclear power wrong? What if people knew that there are reactors that are self-sustaining and fully controllable and ones that require no waste disposal? What if nuclear power is the only energy source that has the ability to stop climate change?