This film is about two Ukrainians cousins: Sergey and Eduard, who are illegal immigrants in Portugal. They work as construction workers in the outskirts of Lisbon. The two of them share a converted garage with three others illegal Ukrainian immigrants. Their life in the garage is very basic and dull, but their inner life is full of contradictory feelings and nostalgia. The film describes their final months in voluntary exile, when yearning for home becomes more acute while the question of prolonging their stay arises. Finally, they leave Portugal and the film follows their first days in their own country. What kind of dreams can give them the strength to live and survive in these inhuman conditions in a faraway land?

In Between Walls

A Rua

In 1975, Thomas Harlan's crew filmed Torre Bela's homestead occupation, in the center of Portugal. Three decades later, RED LINE revisits this emblematic film of the Portuguese revolutionary period: in which way did Harlan interfered in the events that seems to naturally develop in front of the camera? What was the impact of the film on the lives of the occupants and the memory of that period?