Visiting American journalist Johnson finds more in Guatemala than he's bargained for. His reporter contact is missing and nobody's looking for him; his first assignment is to meet with priest Pupo, so fevered with the advent of Satan that he clobbers an altar boy he fears is possessed; but there's also love, in the form of nurse Arloa Reston but who is she meeting in the jungle? Cosmic discussions of good and evil, with Pupo and a nihilistic colleague, turn into a battle for survival with the still-lurking forces of repression.

Invisible Evidence

The story of Monteforte Toledo - the film's Doctor Zamora - who comes to San Pedro La Laguna (Guatemala) as a young man during the military dictatorship in the first decades of the 20th century. Zamora sets out with great idealism and dedication to eradicate illness among the Indians, even if his work is disapproved by the military commander in town. Zamora falls in love with María, a young Indian girl from a village, and he invites her to come live with him in the town of San Pedro. However, other young women have noted the charm of the elegant of Zamora, and even the young idealist doctor cannot escape the conflict between Ladinos (Mestizos or non-Indians) and Indians.

Where the Roads End

Set during the civil war in 1980's Guatemala. A group of six men and a woman must find a way to work together to protect the village of Las Cruces from an impending military attack. The indigenous population of the area, inevitably is torn between their need to help and thoughts of fleeing, for self preservation.

Las cruces poblado proximo

LENCHO, a 30-year-old artist and graffiti writer, is back in Guatemala after living a decade in New York. Eager to bring artistic expression to his home country silenced by over 30 years of terror, Lencho assembles a collective of artists to produce public art projects of social impact. As its first activity, the group organizes an art festival in Rabinal, a small, indigenous village in the Guatemalan highlands. The group's work comes of interest to the director of a secret "social cleansing" program of the national police designed to quash dissension and organizing among the youth. As Lencho labors to coordinate the music, poetry and muralism components of the festival, he finds himself increasingly haunted by memories of the death of his father, a journalist during the civil war. "El Regreso de Lencho" portrays one man's journey to self-knowledge and action: can Guatemala do the same?