The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),

Viva Cuba

Havana, a day in September 2000. Olympic Games are being held in Sydney and Mauricio's sixtieth birthday is here: a man alone and devastated by the unexpected death of his wife. The story is told through a review of passages that gave form to the last twelve years of his life, combining flashbacks with recent events encompassing the key moments that marked the path to that day. Individual dimensions combine with the social context in the last decade in the 20th century in Cuba, a decade marked by deep political, economic and social changes that stirred the ethic and human bases of these generations, the first to enter in the new millennium.

Mauricio's Diary

In a Havana, shaken by Fidel's retirement, a young seamstress, trapped in a sweatshop job, dreams of designing beautiful dresses. Frustrated by her lazy, though adorable Cuban boyfriend, she meets a sophisticated ex-patriot Cuban-Venezuelan who dazzles her with a glamorous future. After many deceptions and surprises, Eva has to choose between the two men she loves. Hers is an unexpected decision... a humorous metaphor of Cuba's options for the future