Leo Rosen, who at the age of 38 still lives with his mother, meets the street violinist Masha.

Zores

At 52, traveling salesman Wolfgang Zenker (Edgar Selge) is in old school territory: he peddles the company's classic clothing line to boutiques that cater to women over 35. When Wolfi loses his drivers license in his brand-new Mercedes but can't afford to lose the season's sales because his frustrated wife (Franziska Walser) desperately wants a new bathroom, their son's vacation plans take a back seat as Karsten (Florian Bartholomäi) is forced to making sales rounds with his father instead of celebrating his high school graduation in Spain. Also making the rounds in small town southern Germany is successful and attractive sales rival Steven Brookmüller (Roman Knizka), 33. As the men's paths cross, long-hidden secrets are revealed and things come to a hilarious head.

Fashion Victims

Anna and Marie are two women who could possibly love each other. Marie wants to be open to this new overwhelming feeling, even if she has to throw away all that she has ever held to be right. Anna on the other hand, enjoys the attention from this gentle soft girl Marie, who seems to love her, not in spite of but also because of her sharp edges. It could all be so easy if it weren't for Zoe, the woman who has been at Anna's side for years.

Cherry-Red

Three loosely connected stories: The relationship between midwife Rosa and therapist Marcel is shaken to the core by a cancer diagnosis. Wandering aimlessly through life, waitress Motte is horrified to discover she’s pregnant – by her best friend Neo, who’s not even sure about his sexual orientation. Finally, cleaning lady Layla refuses to accept that her ex, Navid, has left her for a younger woman. Each situation escalates on one fateful night: A gun is fired, a woman dies, and a child is born. ‘Without you’ – an expression that can be formulated both negatively and positively: ‘I can’t live without you’ also means ‘life is much better with you’. Director Alexandre Powelz maximises this interpretation to its fullest potential. OHNE DICH is a film both about love and its bitter ingredients, and the equally sobering, yet comforting certainty that life goes on.