In-Soo Radstake arrived in Holland from Seoul in 1980. Adopted as a baby by a Dutch couple he is now searching for his true identity. His search takes him along the eight other adopted persons who came with the same flight to Holland. He also visits the orphanage in Seoul where he once lived. He compares the questions and experiences of his adoption with those of his adoptees. He asks himself is weather he is Dutch or Korean. Radstake feels Dutch, but is that because he suppressed his Korean side? In the beginning of the documentary Radstake focuses on his fellow adoptees but as his search progresses, his story gets more personal and is he even trying to find his biological mother. His search ends with a reunion of his arrival group. Exactly twenty-five years after arrival is the group of nine South-Korean adoptees reunited. But this time as adults. Written by Fu Works

Made in Korea: A One Way Ticket Seoul-Amsterdam?

"Pim is more consummate," actress Willeke van Ammelrooy concluded upon seeing Pim de la Parra again in Suriname, at the presentation of the restored version of his film Wan Pipel. This marked the end of her disagreement with the director, which arose during the making of this film, some 35 years ago now. The charming director doesn't seem like the kind of man you can stay angry with for long. Wan Pipel turned out to be a watershed in the career of this headstrong filmmaker, who shook up the Dutch film world in the late 1960s. Although he went on to fight back with his so-called "minimal movies," he would never again get the opportunities his talent and inventiveness deserved. In Parradox In-Soo Radstake provides a personal portrait of De la Parra, now 70 years of age, who after many adventures in the Netherlands has returned to his native Suriname. He discusses the major themes of his life and work, which for a long time coexisted: too many women, too little money, too much ego.