Renée Fleming has matured into one of the finest sopranos around at the moment, a true star with a sparkling personality and a velvet-toned voice that is capable of wringing the finest emotions out of works by Strauss and Tchaikovsky that from a lesser singer could sound rather cold and clinical. I wouldn't have thought her voice would be so well suited to Violetta Valéry in La Traviata, and it does take some getting used to, but I think she at least brings a distinct quality to the role with an emotional heart that isn't always necessarily there when a leading diva uses it primarily as a display for her vocal talents. It's served well also by Antonio Pappano's conducting of the Royal Opera House Orchestra in a traditional, but effective production by Richard Eyre.

La Traviata

Rienzi, one of Wagner’s masterpieces, has been a major success at the Théâtre du Capitole in Toulouse in recent years. For this production, the lyric theatre called upon renowned producer Jorge Lavelli and tenor Torsten Kerl. The Orchestre National du Capitole is conducted by Pinchas Steinberg.