When Fujio, Yoshio and Akiko were children, they saw a fantastic "Ryoumou Deer," but nobody believed them. The three siblings lived in a mountain village.

Dear Deer

About 150,000 illegal entrants live in Tokyo. They are not recognised as refugees and live in poor conditions. To protect themselves, the illegals create a secret organisation. The organisation has a bank which Japanese Financial Services Agency is not involved with, a hospital that is not authorized by Japanese Ministry of Health, Labour, and Welfare and an illegals police force called "Dias Police." The only police officer in the organisation is Saki Kubozuka (Shota Matsuda). His age and nationality is unknown. Saki Kubozuka does not speak much, but he has a warm heart and strong sense of justice. He takes care of the weak and tries to maintain public order.

Dias Police: Dirty Yellow Boys

The girl asked, "Where is Manga Island?" Only manga artists can set foot on the island. Idle people are not allowed to enter, but Manga Island is also like a besieged city. People outside want to enter, while those inside want to come out. A few manga artists trapped on a small island, accompanied by snakes and insects, perform the horror of a deserted island, and even rush to draft day and night, pouring their emotions and desires onto paper. When it comes to brain block, I finally come up with the legend of mermaid monster Tan and dungboat, and I'm afraid of being taken by someone. Everyone was hungry, afraid of both starvation and exhaustion of inspiration. Struggling with the barren environment, but also entangled with one's own demons. Shouwu Wenxiong initially made a long film, wrote and acted by himself, cleverly transforming the desire, pain, confusion, and joy of creation into a fantasy drift of a group of cartoonists.

Manga jima

Dives deep into the tragicomic world of the"towns-people" stand-ins working at Warp Station Edo, a popular shooting location for samurai dramas, through a piercing study of a 63-year-old extra. Utilizing mockumentary stylings, this ambitious film forms a compelling commentary on the aspirations that shape film production and the feelings that a simple, ho-hum life can evoke.