Madrid’in kozmopolit atmosferine şehirdeki kiliselerin oluşturduğu tezattan bir insan sureti yaratılacak olsaydı ismi herhalde Gonzalo Tamayo olurdu. Gonzalo kuzenine âşık, babasının ayak işleriyle oradan oraya koşturmaktan bıkmış, tek bir ders yüzünden üniversiteden bir türlü mezun olamayan bir felsefe öğrencisidir. Çevresindeki insanların dayatmalarından sıyrılarak ipleri eline almak için kendi tarihini değiştirmeye karar verir ve bebekken ona sorulmadan yapılan vaftizle kaydolduğu Katolik Kilisesi defterlerinden kaydını sildirmek için başvurur. Ancak bu beklediğinden çok daha zorlu bir sınav olacaktır. Gonzalo’yu doğal bir oyunculukla canlandıran Alvaro Ogalla ve filmin yönetmeni Federico Veiroj’un birlikte kaleme aldıkları bu eğlenceli absürt komedi, Buñuel sürrealizmine benzerliğiyle dikkat çekiyor.

Ayrık Otu

Miguel Ángel García Mazziotti, a Río de la Plata's decadent showbiz gay figure, receives the visit of his daughter Virginia, of whom he has been distanced for years. "The Fat", as everybody calls him in Punta del Este, openly rejects her visit, but when realizes will become a grandfather he can't help getting thrilled and celebrate Virginia's happiness. As a result they share a real familiar weekend that, as many families, to be happy it has to be fake.

Dolphins Go East

A melancholic, aspiring writer and bookseller is shaken by the appearances and disappearances of his newfound muse who steals books from his bookstore. When he discovers that she also steals from other bookstores, he is consumed with jealousy and starts living in a kind of love delirium, on the border between fiction and reality. The closer he gets to her, the more indescribable she becomes and he begins to wonder why she steals, what are her values and who is the older man she lives with. In the end, what is real and what isn’t? And will he find a place in her life as he moves away from his own?

Severina

In the Argentinian city of Tucumán, Miguel is making a living as a “motochorro”, a thief who snatches people’s belongings fromhis motorbike. When he steals the purse of Elena, an old woman, he ends up hurting her badly. After the brutal incident, Miguel is plagued by guilt and unable to forget about his victim. In an attempt to make things right, he conceals his true identity from the old woman and starts to take care of the injured and unsuspecting Elena. The closer he gets to her the more he becomes entangled in his own lies. Afraid of telling Elena the truth, Miguel continues to be haunted by his past and is unable to find true redemption.

The Snatch Thief

Federico Veiroj’s fourth feature examines the many, often contradictory layers that make up one’s persona, in this case, a single dad and acclaimed artist who must learn to balance family with creativity.