One apartment, three people, in one long afternoon. Omri is having a troubled sex with Yonatan, his boyfriend, while his mother, Esther, comes on an unexpected visit. She enters the house like a storm and it's clear that something is wrong with her and she's not going to leave. She came with a purpose, she needs her son's warmth. Omri is still in the closet, try to hide the romantic relationship between him and Yonatan and almost ignore Yonatan's appearance. The three of them are trying to act regularly while the tense spreads in the air. They eat dinner, watch a french movie, Yonatan from one side, Esther from the other and Omri is in between. When Yonatan feels it's time for him to go and leaves them alone, the real purpose of the visit is revealed.

The Visit

Yonatan abandons the army in an attempt to reunite with his ex-boyfriend. After it turns into a failure, he finds himself alone in Tel Aviv, without a place to sleep. Broken and confused, he goes on a wild night's journey looking for consolation.

Night of Love

Strap yourself in for an exhilarating journey into darkness with these five award-winning short films from across the globe that delve into heart-pumping escapades varying from the intensely erotic to the ultra-violent to the warm-inside feels. The night has never looked so inviting.  Segments: After Dawn [Passée l'aube] (2017), Poof (2018), Spiral (2018), Night of Love (2018), Floating Melon [浮果] (2015).

The Male Gaze: Nocturnal Instincts

Ashdod. Summer. Very hot weather. The sea is polluted. One afternoon. Mother. Son. This film is a documentation of a city, of a neighborhood, of a summer- but more than all, of a dismantled internal world of a child. sad and frustrated child.

Summer Film

Itzik Zaza is an amateur photographer who makes video portraits of random people he finds in the street and invite them to his place. Today's star is Tuti, a 16 year old street girl who dreams of being an actress. Itzik told her that she's going to be a star of a movie just about her, and she couldn't refuse. During the shooting Tuti doesn't understand what kind of a movie Itzik is making. She stands in his room, and he asks her to talk about herself. "It's like a picture with time" he tells her again and again. Slowly Itzik's questions become more and more invasive, and Tuti is starting to feel uncomfortable. She wants to leave, but Itzik is convincing her to stay while he shoots both of them. "You see, now I'm also in the movie" he tells her and ask if she wants to make a scene of the two of them.