Prostitute Roberta lives with her brother and demented mother in an Argentinian rural village. Mother warns Roberta that she can have sex with almost any man in the village, except one – because then she would be killed. However, this last candidate, Sicilio, has put his sights on her.

Çürük Bağ

A couple moves to Patagonia escaping from the impositions of modern capitalist society. At first, the place, the people, the life seems to be what they are looking for. A new world away from everything. But soon they will discover that not everything is so magical or so simple, nor are they prepared to deal with that life. They will think about giving up. They will return to the city, but they do not fit there either: the place they left behind has already changed them. They will make a new attempt, a revealed truth, it will make everything stumble stronger than ever. But as they go through this, they will grow stronger to continue trying a new life.

I Girl

Deborah makes a living by drawing the skin of her clients. One night, her housemate invites her boyfriend and friend to their house. Sitting in the armchair, they consume the series of the moment, Gain of Clones, until, suddenly, the signal is cut off and the screen is dyed red while subliminal images float. No one remembers what happened the last two minutes. The answer will be in the enigmatic presence of giant cats that will later invade the city.

Lava

Lava (2019), the animated film Ayar Blasco presented at the 34th edition of the Mar del Plata Film Festival, left many subplots unresolved in a sci-fi narrative in which an alien civilization dominated the planet through technological devices. This incompleteness, which could then be attributed to the director’s aesthetics, always free and prone to absurdity, was actually a pause that now, four years later, is resumed. The protagonist continues to be Débora, a somewhat insecure tattoo artist who ends up involved in the resistance when a new batch of invaders threatens to wipe out every single record of the human race. With the childlike strokes and the uncontrollably innocent humor characteristic of him, Blasco continues to shape his own epic, a hallucinated version of El Eternauta, with click beetles and all.