A filmmaker arrives at the house where a friend disappeared. She inquires about her with a man who holds a candle in his hand; with an acolyte who enters people’s dreams; with a forgetful woman, with a denier, and manages to escape the seduction of a satanic group, but is captivated by a demon.

The Inner Flame

A group of left-wing intellectuals take over a building with the purpose of forming a Ministry of Culture, however, the workers oppose the takeover. Intellectuals and workers establish a coexistence pact while waiting for Godoy, a union boss. After conflicts over ideological differences about culture, the takeover dissolves, just when Godoy appears with a totally elitist and apolitical discourse.

Esperando a Godoy

Ángel, a teenager whose father is murdered in a slum, leaves high school and participates in criminal activities.

Tiempos malos

With the Kafkaesque phrase "he who does not seek does not find, but he who does not seek is found", Sánchez begins an episodic story scripted and filmed in only 27 hours where there is virtually a single location that resembles, in a very stylized way, a prison. From there, Alejandro, a young lumpen, interacts with various characters that burst into the space, generating situations that allude to his minimal survival, reselling or exchanging objects. Voy y vuelvo is verbally organized with an anthropological approach, with the same interest of the director for the Mapuche dialect in Cautiverio Feliz and in Date una vuelta en el aire, and from there incorporates elements of popular culture and the notion of purgatory as a recurring figure.