This film is an homage to the Gaza Strip and to the possibility of hope beyond hopelessness. Ouroboros, the symbol of the snake eating its tail, is both end and beginning: death as regeneration. A 74-minute experimental narrative film that turns the destruction of Gaza into a story of heartbreak, Ouroboros asks what it means to be human when humanity has failed. Taking the form of a love story, the film's central character is Diego Marcon, a man who embarks on a circular journey to shed his pain only to experience it, again and again. In the course of a single day, his travel fuses together Native American territories, the ancient Italian city of Matera, a castle in Brittany, and the ruins of the Gaza Strip into a single landscape.

Ouroboros

An experimental look at the origin of the death myth of the Chinookan people in the Pacific Northwest, following two people as they navigate their own relationships to the spirit world and a place in between life and death.

maɬni—towards the ocean, towards the shore

In late 2021, Cleveland’s baseball team was reborn as the Guardians. This documentary, directed by Lance Edmands, chronicles the saga of that name change, which has its roots in a forgotten legend named Louis Sockalexis, and the tragedy that enveloped his story more than a century ago.

Deerfoot of the Diamond

An Unangam Tunuu elder describes cliffs and summits, drifting birds, and deserted shores.  A group of students and teachers play and invent games revitalizing their language.  A visitor wanders in a quixotic chronicling of earthly and supernal terrain.  These visions offer glimpses of an island in the center of the Bering Sea.

Visions of an Island

A group of students and teachers gather in an historical mansion in the woods of West Virginia for a week-long retreat in spoken Latin.  I observe and I participate while navigating the errata with my camera.

Venite et Loquamur

A young boy’s journey as they take his father to his final resting place.

Wawa

The video traverses the history and the memory of a place shared by both the Ho-Chunk and the settler. Red Banks, a pre-contact Ho-Chunk village site near present day Green Bay, WI was also the site of Jean Nicolet’s landing, who in 1634 was the first European what is today Wisconsin. Images and text are used to explore this space alongside my grandmother’s recollections. Each serve as representations of personal and shared memory, as well as representations of practices and processes of remembrance.

Kunįkága Remembers Red Banks, Kunįkága Remembers the Welcome Song

Against landscapes that the artist and his father traversed, audio of the father in the Ho-Chunk language is transcribed using the International Phonetic Alphabet, which tapers off, narrowing the distance between recorder and recordings, new and traditional, memory and song.

Jáaji Approx.

The title of this video, taken from the texts of the architect Kengo Kuma, suggests a way of looking at everything as “interconnected and intertwined” - such as the historical and the present and the tool and the artifact. Images and representations of two structures in the Portland Metropolitan Area that have direct and complicated connections to the Chinookan people who inhabit(ed) the land are woven with audio tapes of one of the last speakers of chinuk wawa, the Chinookan creole. These localities of matter resist their reduction into objects, and call anew for space and time given to wandering as a deliberate act, and the empowerment of shared utility.

Anti-Objects, or Space Without Path or Boundary

Filmed during the 2016 Standing Rock protests in South Dakota, Sky Hopinka's Dislocation Blues offers a portrait of the movement and its water protectors, refuting grand narratives and myth-making in favour of individual testimonials.

Dislocation Blues

Moments of resistance are collapsed and woven together; from documentation of the Indigenous led occupation of Alcatraz, to the reclamation of Cahokia and the repatriation of the ancestors, to one’s reflections on their body as they exist in the world today, These are gestures that meditate on the carceral inception and nature of the reservation system, and where sovereignty and belligerence intersect and diverge.