In the wake of a dream, João Vieira Torres sets off to find the children that his grandmother Aurora, a midwife, helped deliver. Through encounters with the living and the dead, he uncovers tragic destinies which reflect a structural history of violence against women. A curse dispelled by the means of cinema, resulting in a film of exceptionally rare beauty.

Aurora

I was invited to film a ritual. One that can be shown to foreigners, to “dried-heads” like me. A child in the village watches Disney’s Fantasia on TV. He is interrupted. What the child lives when he dances? What am I able to see from what is shown to me?

Toré

José Mauro is nervous about leaving his old apartment. Hilda and him will move to a place where everything will be new again, after 35 years living together. Hilda doesn't know what to do with the objects from that house that was never hers, and from where José Mauro has not left for the past 20 years. Everything will be packed and the old mattresses thrown away.