Sem Título #8: Vai Sobreviver

The sea taken by footages from XIX century (produced in 1891, 1895 ,1897 and 1900, in Brazil, United States, France and England) and listened from a song(in French, English, Spanish, Dutch and Italian).  From the series “notes for a Self Biopic (in Regress)”.

Sem Titulo #2: La Mer Larme

Sem Título # 3 : E para que Poetas em Tempo de Pobreza?

Festejo Muito Pessoal

It rains; but still, it sings. Under the symbolic motto of the meteorological metaphor, a poetic constellation of edited "found footage" with excerpts of 99 films and 8 versions of a song. From the series "Notes for a Self-Biopic (in Regress)".

Untitled #4: In Spite of Ruin, Sing in the Rain

A double love tribute: to the final film by Yasujiro Ozu (1903-1963) ‘An Autumn Afternoon’ or ‘Sanma no Aji’ (1962) and ‘A Rising Sun That Painted My Horizon' (2018). An archival re-appropriation cine-poem. A found footage haiku.

Untitled #5: A Tune of Nones at Noon

Untitled # 7 : Rare

On September 6, 2021, private security guards burned down a Guarani Kaiowá house at the Ava'te Tekoha ("place for living the culture") in the Dourados Indigenous Reserve in Mato Grosso do Sul. The act was captured on video by the Guarani Kaiowá.

Tekoha

Film poem based on the theses “On the concept of history” (1940) by Walter Benjamin. Brazilian indigenous peoples in records from 1917 and 1922 and in anti-fascist demonstrations from 2022; the Palestinian cause in 1948 and in 2022; shots against the clock fired by French revolutionaries in July 1830 and arrows against the clock (commemorating the 500th anniversary of discovery) fired by the original Brazilian peoples in April 2000.

The Historical Materialism of the Arrow Against the Clock

Cinepoem about the current Palestinian tragedy, with Brazilian films from 1922 and 1932 (the indigenous catastrophe), documentaries from 2023/2024, essays by Jean-Luc Godard, Hani Jawharieh and Mustafa Abu Ali, statements by Edgar Morin and Noam Chomsky, and a poem by Mahmud Darwich.