The 40-year-old director Yoav was asked by the editor of “Cahiers du Cinéma” to write about the potency of a specific cinematographic image. Yoav recalls his first encounter with Pasolini’s Teorema, back when he was still a soldier in the Israeli army. Nadav Lapid has created an alter ego director. In just a few scenes, Lapid condenses the moments that have ultimately altered the director’s life. Lama? is an extremely personal film that tangibly illuminates the vast potential inherent in cinema.

Why?

In a post-apocalyptic world, a young woman living in the woods with her mother starts to question everything after the arrival of a stranger.

Stronghold

Sassi is more than 20 years older than his wife Effi and is worried about his declining powers. Surgery has left him seeking treatment for impotence, but Effi insists she’s content with their emotional closeness. In her work as a physical therapist, though, Effi sees the link between body and heart every day. The biggest challenge to their loving relationship has been the gambling debts Sassi’s adult son keeps running up. But the couple’s fragile understanding, compounded by the presence of two young men, introduces new threats. Their teenage grandson, Omri, returns from living with his father in Europe, at loose ends and clearly in need of guidance. For one thing, he can barely stand to wear a shirt. Then a young patient turns up at the swimming pool where Effi conducts therapy sessions. He comes to confront her about something from their past, something complicated, contested, and painful to them both.