The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of two mysterious buttons which were found on its ocean floor. Chile, with its 2,670 miles of coastline and the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian Indigenous people, the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.

The Pearl Button

Pedro Primeiro

Matheus is a student who recently lost his parents in a plane crash and his boyfriend in a car accident. Alone and vulnerable he is teleported by an Alien who seeks to steal the humans identities while pretends to be his dead boyfriend.

Incubador

"Cheques Matta" are works of small format, similar to an American check that the painter Roberto Matta sent by mail to his friends with financial problems during the first years of the Military Dictatorship in Chile. Establishing new paradigms, making us question the true function of art as an instrument of social transformation.

Cheques Matta

Reverie. Daydream. Fantasize. Digress. The static look in absence, the look that is lost trying to be present. Everyday scenes, desires, feelings and impulses present and re-present; and how this affects the body.

Reverie

A "short film gift" documentary  that shows how Alzheimer's has affected and affects Julieta. These are affective movements that appear in the game between: pauses and flow, approaches and distances, music and silence.

Julieta Sonata

Inspired by Lois Patiño's short movies project called "Paisaje-Duración" (Duration-Landscape) and Hiroshi Sugimoto's photo series "Seascapes", "Duração-Diferença" (Duration-Difference) reveals the difference through duration, through time; this short experimental movie seeks to capture, as Patiño and Sugimoto achived, the immanence as the entrance for something more - or something in between.