The Sculpture is a film set in Italy in the contemporary world. The film deals with love, with trampled art, with prostitution, with transvestism and with the situation of the sculpture in Italy.

The Sculpture

CAFÉ TOGO looks at the efforts to change street names with colonial connotations in the so-called Afrikanisches Viertel (African Quarter) in Berlin-Wedding. According to Berlin’s street law, every street named after a person honors that person. Petersallee, Lüderitzstraße, and Nachtigalplatz bear the names of persons whose biographies are tainted by the blood of the victims of German colonialism. According to the law, streets that do not correspond to today’s understanding of democracy and human rights should be renamed.

Café Togo

The Lighting aims to revisit issues of discrimination rooted in technological development and image production. Three professional Togolese photographers explore how to use instruments to compensate for insufficient exposure while shooting dark skin tones. A leading software engineer, developing facial recognition algorithms at Taiwan's MediaTek, talks about how a newly-created camera algorithm is very popular on the African continent.

The Lighting

An experimental poetic investigation of one of the world's largest e-waste recycling sites, Agbogbloshie, as a contact zone of complex global economic, social, power-political and technological processes.