Veteran director Nakajima Sadao examines the appeal, background, context and transition of chambara, or period sword-fighting and samurai films, in Kyoto. Not only interviews with actors, choreographers and critiques are included, but the director orchestrates an original chambara scene for the documentary.

Chambara: The Art of Japanese Swordplay

Chieko Sanda has operated a dry goods store in Kyoto for the past 20 years. Her family has owned the store for generations. Chieko is conflicted on whether her daughter Mai will take over her position with the changing of times. Mai is a college student and has not decided whether to take another job or take over the dry goods store. Meanwhile, Mitsuko Nakata runs a forestry in the outskirts of Kyoto. Mitsuko is Chieko Sanda’s twin sister, but they were separated at an early age. Mitsuko is in serious financial difficulties. Mituko's daughter, Yui, has talent in art and she goes to France. There, Yui feels a sense of powerlessness. Mitsuko notices and goes to Paris to see her daughter. Mai travels to Paris to take part in an event to show Japanese culture.

The Old Capital

Set in Kyoto in the last days of the Edo Period, the bloody conflict continues between local feudal domains, which aim to overthrow the Tokugawa Shogunate, and the Shogun's police and city patrol. Tajuro Kiyokawa, once the master of the sword but now a depraved samurai who left his domain putting aside his past ambition, barely makes ends meet. Toyo, a woman who runs a tavern next door, feels affection for Tajuro who guards her place against nasty customers, but he never realizes Toyo's feelings.