The death of her grandmother leads the filmmaker to her birthplace, Mexico City. There the granddaughter opens her eyes for the first time to the domestic workers: the benevolent spirits who bring up the children, cook the meals and live under the same roof as familes for years and yet remain mostly unseen. Remedios, Guadalupe and Dolores - we find out how they live, where they come from and what they have experienced. And naturally we ask ourselves why they have not been asked these questions long before.

Muchachas

'Pedro', Liora Spilk's debut feature, paints a humorous and emotional portrait of Pedro Friedeberg, a Mexican plastic artist who became famous in the sixties for the creation of the hand chair.
 Between grumblings, ironies, reflections on art and disagreements, 'Pedro' achieves an endearing portrait of Friedeberg, and at the same time presents a tribute to friendship and creation.