The stages of Yannis Lafis's attempt to make a documentary about some people he considered remarkable, the reason he was interested in them, and ultimately the reason he was forced to give up.

Looking for the Cat-people

When the Greek factory of VIO.ME. closes down, a group of workers decides to take radical action. They occupy the factory and attempt to operate it themselves, based on the principles of direct democracy. Their venture inspires activists all around the world, while the ex-owner is astonished to see the family business turn into a symbol for the up-and-coming radical left. For the workers, striving to make ends meet, selfmanagement turns out to be an unprecedented adventure, full of conflicts. They soon realise that in order to succeed, the first thing they have to change is themselves...

Next Stop: Utopia

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.