This film is an intimate portrayal of pioneering filmmaker Merata Mita told through the eyes of her children. Using hours of archive footage, some never before seen, her youngest child and director Hepi Mita discovers the filmmaker he never knew and shares the mother he lost, with the world.

Merata: How Mum Decolonised the Screen

Writer producer Donick Cary (The Simpsons, Parks and Recreation, Have a Good Trip, etc.) has  been a huge fan of the Washington D.C. pro football team since before he could walk. Passed down from  his dad, he was excited to pass the tradition onto his kids. Donick never questioned the team name and or  Native American logo until one day, while watching a game, his 9-year-old son, Otis, asked him if it was  racist. When Otis suggests they ask Native Americans how they feel, it sends the two on a cross-country  journey full of unexpected surprises.

Hail to the Breadsticks!

Mekko gets out of prison after 19 years. He has no home or family so he makes his way to Tulsa. He tries to connect with a cousin but she turns him away. With nowhere to go Mekko ends up sleeping on the streets. He is taken in by the homeless native community. At times jovial, there is a dark undercurrent to the community. He begins having issues with a man named Bill. Bill is pure evil. Convinced that this man is a witch, Mekko turns to the old teachings of his grandmother in order to rid the community of this 'witch'. It's a story of redemption, and hope. Mekko is in search of his home and the strength to forgive himself of his past.