A wealthy middle-aged woman unexpectedly finds herself caring for two impoverished young siblings, in this subtle, touching and sincere study of class disparity from Brazilian filmmaker Sandra Kogut.

Campo Grande

Two sisters live in the same house with their husbands in bedrooms separated by a single wall. One of the sisters, Lígia, is still a virgin. Dissatisfied, she wants to dissolve the marriage and thinks about suicide. To prevent her sister’s suicide, Guida offers her own husband, Paulo, for one night.

The Serpent

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.