Aldo, a former photographer, is fired from his college professor job a little before his retirement. With no job perspective, he decide to sell his old work tools,and burn some of his pictures.

O Tempo Não Existe no Lugar em que Estamos

With archive footage and testimonials from former filmgoers, a story of movie theaters that were located on the avenues of São João and Ipiranga and its surroundings, in São Paulo's city centre. Known as Cinelândia Paulistana, this area lived its heyday in the 1950s, reaching more than 15 cinemas in full operation.

When The Marquees' Lights Go Out

Jean feels trapped in the logic of longevity that the pharmaceutical industry imposes on him and decides to plan a conscious suicide. He invites Helena to commit suicide to two. She, on the other hand, hesitates, knows that she will live well even if she needs to live alone, but she helps him in his intentions. The silence between them does not reveal distance, but intimacy. These are years of shared affection. Together, they will prepare all the details for the funeral. He dances death while she continues rehearsing life. In the process, the two realize that before the end, there is still a lifetime.

Work in Progress

Ingra's faith is shaken when she realizes she is being haunted by her criminal past.

Ingra!

São Bernardo do Campo, late 1970s. A man recalls his youth in the context of workers' strikes, the beginning of skateboarding in Brazil and the peak of rock n' roll, when his group of friends decide to film an afternoon in their life, in Super -8.