Haunted by her long-suppressed past and pressured by family to seek treatment from mystical healers for her infertility, a Kosovar woman struggles to reconcile the expectations of motherhood with a legacy of wartime brutality.

Zana

10 yaşındaki Nori ve Babası Gezim, Kosova sokaklarında sigara satarak dolaşır ve hayatlarını zar zor kazanırlar. Berlin Duvarının yıkılmasından sadece birkaç yıl sonra Gezim yeni bir hayat bulmak için oğlunu geride bırakıp batıya, Almanya’ya gider. Kendini çaresiz bir durumda bulan Nori, babasını aramak için bu tehlikeli Almanya yolculuğuna çıkar. Sahip olduğu azim, direnç ve yiğitlik ona rehberlik etmeye yeter.

Father

The story takes place in March 1999, Kosovo. it is the period of NATO bombing. Massive displacement of Albanians on ethnic basis. Terror, fear, insecurity, hunger has plagued Gjakova town located on the border with Albania. This does not exclude that along the narration the situations are built on a logic flow, moments of humor, eroticism, that occasionally avoid blackness of circumstances, which cross the theme of the film. The film initially develops in two parallel lines that then converge, connected to a common thread, where, at the end, each of the lines goes back to its own fate. It is a film for adults and children too.

Distant Angels

In the early '90s, the Yugoslavian Government cancelled the autonomy of Kosovo, dissolved its Parliament and closed down the National Television. All institutional life was reorganized by the new authorities, while the majority of the citizens responded with peaceful demonstrations. During this terrible time, Fadili, who works as an archivist, has to choose between two options, knowing that both of them are wrong. He therefore involuntarily and unwillingly "swallows" the shame, endures the pressure bearing down from all sides and puts up with the bad reputation for only one reason: to provide for his family.

Cold November

Vera is a middle-aged sign language interpreter, whose life is disrupted by her husband's suicide who has to face the raw reality of going against the deep-seated gender issues of our times.