Slovak director Marek Kubos has not shot a film in 13 years. His first film ever - a student exercise at film school - was a self-portrait. The circle is closed, the source of creativity has seemingly dried up.

Posledný autoportrét

After a painful divorce, 50-year-old Nadia finally finds a good flat for reasonable price for her and her daughter. Too good to be true, and soon, albeit too late, she comes to understand the reason for the bargain. Her close neighbour in the house is mentally ill Valika who terrorises everyone around her. Piussi’s film creates a string of absurd encounters with increasingly menacing effects, but it is – at its core – a fantastically precise film about humanism, its consequences, its possible limits.

The Unbalanced

Peter "Koza" Baláz is a former Olympic boxer. He and his partner, Misa, live in a dilapidated housing estate, constantly struggling to make ends meet. Misa learns that she is expecting a child and decides to terminate her pregnancy. In order to earn some much-needed cash and possibly change Misa's mind. He and his manager Zvonko embark on a "tour", where success is not measured in victories, but in the amount of blows that Koza can take.

Goat

12-year-old Niki and 11-year old Vika are hiding from the terrifying war at a Kharkiv metro station. Daylight is synonymous with mortal danger, and they are not allowed to leave, living under the constant glow of their neon lights.