Eini grows up isolated from society with her father who does everything he can to make Eini believe that the world outside and the people out there are evil, and that all that has to do with sexuality and adulthood is dangerous.

Granny's Dancing on the Table

Dad fights to get grandma out of bed. But grandma can’t, she just sleeps. Love just wants to play – to be part of things and be close.

Play / Ground

Set in a near-future Sweden, where jobs are scarce, margins are tight and corporate profit trumps all, this timely hybrid film reveals a frighteningly all-too-recognisable economic dystopia. Sköld highlights the effects of the ruthless system on families, friendships and communities. All but a hair’s breadth away from homelessness, zero-hours contract workers squabble over shifts at the discount supermarket while store manager Eleni, a new mother forced to return to work too soon, frantically pumps breast milk in the staff toilets. Poignant and compellingly performed, the film’s vignettes are punctuated with animated sequences, inventively exposing the dehumanising and absurdly wasteful effects of capitalism. And yet, beyond the store, an ever-growing ‘underclass’ offers a sense of hope through sustainability and true community.