A variation on paroptic vision (the ability to see with the skin, without the aid of the eyes), telepathy, colour theory and the theremin. The various sequences introduce the hypothesis of an imaginary cinema. The film is presented as a series of rushes, suggesting an unfinished film in progress.

Fragments pour un film imaginaire

Claire is composed of digital scans and blow-ups of a series of three ink-on-paper artworks created in 2012 by French-Spanish researcher, publisher and artist Claire Latxague.  While collecting drawings, written documents and other printed materials for a (yet unreleased) project called Un film de papier, I’ve stumbled upon Latxague’s artwork, entitled À la renverse.  The blow-ups were made in an attempt of unearthing cartographic imagery in abstract compositions.

Claire

"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own irretrievable self of some 34 years ago is now also part of the subject I first saw the ‘actual’ ‘Mona Lisa’ when I was about thirteen. Of course I had seen dozens of reproductions in books and postcards by then and the popular mythology of the enigmatic smile was already well engrained in my mind. My strongest impression, as I recall, was how small and unsurprising it was – a heavily protected cultural icon – no longer really a picture – and I was much more excited by the painting of the distant landscape than by the face. My own ‘version’ of ‘la Giaconda’ was never an homage, nor like Marcel Duchamp’s ‘L.H.O.O.Q’, an attack on its cultural power. Instead it came from a fascination with change and transformation – maybe also with arbitrary appropriation." Malcolm Le Grice

Eighteen fragments from Malcolm Le Grice’s After Leonardo

Three memories that become one. An attempt to merge heterogeneous materials: a film sequence shot in Rome, a photo from the 1930s, a noisy soundtrack. Fragmented lines, exploding bass frequencies and flickering.

Anoche

An exploration of Rodez Cathedral and its stained glass windows: praying figures and scientific imagery. A study on color, repetition and flickering consisting of 292 photographs.

Rodez

Considerations on collage as a cognitive act in artists’ cinema. A pedagogical film adrift: 35mm photographs and other materials collected over the last fifteen years by artist Stefano Miraglia meet a text written by Baptiste Jopeck and the voice of Margaux Guillemard.

Collage

Confidential report on designer Dino Gavina's showroom created by Carlo Scarpa between 1961 and 1963. Restoration details and stills from a 1985 film by Ellis Donda.

2021-1985

In the vain hope of breaking a smartphone with a film, I present to you a series of truthful images and sounds. City lights set out to communicate something, details of sixties paperback books meet the title of a French science fiction novel, and the bottom of a bridge is the beginning of the cosmos (and I walk on it).

J'écoute l'univers

A group of artists settle in a swamp on the banks of the Indre River. Meanwhile, a voice describes a utopian world.

I'll See You Again

A flock of memories activated by various musical exercises, to strike the past to the heart, to build something utopian: the future, a sonic architecture. Music as a tool, transcriptions of YouTube tutorials as poetry, percussion exercises as descriptions of reality.