"The stop motion animation "Lying Women" attends both to printed art's material qualities and its ideological freight. As a high school student in 70s Melbourne, my primary exposure to art history was through the pages of books. I studied the western canon at a triple remove: as a girl, as an antipodean girl, as an antipodean girl who had never seen the paintings except as printed papers' cheap approximations of European glory. Lying Women imagines canonical reclining nudes' escape from centuries of servitude to a worldview in which decorative passivity is their whole purpose. The work proposes a great gathering of queer female energy, a revolution, a collective will to autonomy." (Deborah Kelly)

Lying  Women

"The Gods of Tiny Things" thinks poetically and urgently about the current array of threats to life; the shift to the right across the political world, the tolls of colonialism, climate catastrophe, human profligacy; and conversely the dynamic, kaleidoscopic pleasures and desires of life itself, at all scales, in all its teeming, prancing, hectic, clamouring fertility. We are dancing at the end of time.