An optisonic exploration of a world of primordial shapes created through various chemical treatments of a Super 8 emulsion. The sonic counterpart was made using a generative patch on an analogue synth, with voltage inputs from light sensors on the projection screen – the film itself steering the dynamics of sound synthesis.

Blue Movement

Stop motion animation of antique kimono textiles from the Nishijin district in Kyoto. Filmed on super 8 in Kyoto. Soundtrack created in collaboration with Palle Dahlstedt using the Octopus analogue audio-visual interface.