Since 1987, and for almost three decades, New York cinephiles had access to a vast treasure trove of rare films thanks to Kim's Video, a small empire run by Yongman Kim, an enigmatic character who amassed more than fifty thousand VHS tapes.

Kim's Video

A true crime concert doc about David Byrne and two escaped convicts.

Temporary Color

"Who Is Lun*na Menoh" follows the life and work of the extraordinary Japanese artist, Lun*na Menoh. From her early career in Japan to the underground music scene in Los Angeles, from fashion show runways featuring her sculptural designs to art galleries showing her fantastical work, Lun*na's edgy, witty and beautiful creations are explored. Director Jeff Mizushima follows Lun*na's artistic career, showcasing her uniquely individual expressionism. He interviewed past friends and collaborators like DJ Lance Rock, Anna Biller, Ron and Russell from Sparks, Kevin Sukho Lee, Robert Greene, her husband, Tosh Berman, her family, gallery curators, and her friends to find out who and what Lun*na Menoh is and why her art, in all of its forms, fits in our world.

Who Is Lun*na Menoh?

The Cost Of Convenience examines how internet platforms are impacting our mental health, restructuring our communities, threatening our democracy, and violating our human rights.

The Cost Of Convenience

Follow actress Kate Lyn Sheil as she prepares for her next role: playing Christine Chubbuck, a Florida newscaster who committed suicide live on-air in 1974. As Kate investigates Chubbuck’s story, uncovering new clues and information, she becomes increasingly obsessed with her subject.

Kate Plays Christine

It’s 2017 in Bisbee, Arizona, an old copper-mining town just miles from the Mexican border. The town’s close-knit community prepares to commemorate the 100th anniversary of Bisbee’s darkest hour: the infamous Bisbee Deportation of 1917, during which 1,200 striking miners were violently taken from their homes, banished to the middle of the desert, and left to die. Townspeople confront this violent, misunderstood past by staging dramatic recreations of the escalating strike. These dramatized scenes are based on subjective versions of the story and “directed,” in a sense, by residents with conflicting views of the event. Deeply personal segments torn from family history build toward a massive restaging of the deportation itself on the exact day of its 100th anniversary.