São Paulo best friends Julia, Micaela and Diego enter their thirties entirely unprepared for the considerations of adult maturity. Julia has chosen to remain blind to the obvious signs that her current boyfriend is a two-timing cad, but her eyes are forced wide-open when she discovers that she is pregnant with his child. Diego is a party boy with daddy issues who can’t stay faithful to his sweet, dependable boyfriend. Micaela, meanwhile, is wasting her time chasing a bisexual actress who won’t even acknowledge their shared intimacy in private. As these three charismatic but troubled friends keep spinning their wheels, even their own chosen-family bonds get stress-tested to their breaking point.

Restless Love

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.