Three friends are hanging out on the roof in Sarajevo. Their hangout is interrupted by the Yugoslavian time traveler who explains them that they are in danger and need to use the time machine to go back to Yugoslavia and warn people that the future generations messed up. They travel back in time to find themselves not in Yugoslavia, but in Iran. Clash of the cultures is evident, and they are forced to hide their identity. But the more they discover the city, the more they realize it is scarily similar to their own.

Submission

O gün, otelin çatısında yapılan TV yayınında politik duruşlar asırlık tartışmalara yol açarken otel müdürü aylardır maaşlarını alamayan ve tam da bu önemli günde grev yapmaya karar veren çalışanları kendine özgü yöntemlerle engellemeye çalışmaktadır. Grev sözcüleri bir bir ortadan kaybolurken en önemli konuklardan birini koruyan polisin tek derdi ise eşinin satın almak istediği kanepenin fiyatıdır.

Saraybosna’da Ölüm

Tica (Birdy) a war orphan arrives to Sarajevo with his newborn daughter urgently needing surgical procedure. Facing his new appalling reality, Tica embarks into the night where demons of the past are always ready.

Birdy

Bosnian province, today. Aida has broken off a relationship with the abusive Kerim and wants to go on in her life. But ties are stronger than she thinks and mundane everyday life draws her deeper into darkness. Inspired by true events.

So She Doesn't Live

Riki works for a struggling catering company. Ado, his misogynistic colleague and brother-in-law, wants to fix the business by beating up Melisa, a former co-worker who is a top cake-maker, to force her to work with them again. All the rest of the employees dismiss Ado's plan as stupid and senseless. However, Ado is a stubborn savage, and his colleagues know he won't give up unless he is stopped. Riki is divided between a sense of justice, and the norms through which we tolerate family and friends no matter what they do.