Statistics show that during his professional career every railroad engineer working for railways, unintentionally kills 15 to 20 people. This is a story about the innocent mass murderers and their lives.

Makinistin Günlüğü

Kristina is a transgender sex worker in Serbia. She plays herself in an eponymous film that portrays her daily life with reticence in accordance with the rules of fiction. We’re in Kristina’s home with her. With camp elegance, she contentedly arranges ikebana in the luxuriant, baroque shade of her garden. The surprisingly shrill ringtone of her telephone disrupts the idyllic scene and Kristina reels off the prices of her services to the caller. Tracing an inner journey in the secret calm of churches and forests, the film also opens up a space of confession in its core, in frontal shots where Kristina tells her story. It does not, however, follow the path of repentance. On the contrary, it asserts the profound freedom of a modern woman, captured majestically in a bold portrait with strokes inspired by iconostases that tend towards the divine.

Kristina

The film shows how the whole society changes in war conditions, i.e. human nature in all layers of society, to incredible proportions.

Komunistički raj

As a mysterious planetary alignment sets the sky on fire, two brothers are reunited with a childhood friend.