Follows Hans Jürgen Höss, the son of Rudolf Höss, the Camp Commandant of Auschwitz when he confronts his father's involvement in the murder of over a million Jews during the Holocaust.

The Commandant's Shadow

Tells the extraordinary story of Anita Lasker-Wallfisch who, along with other victims of Auschwitz, played and created music amidst the terrors of the Holocaust.

The Last Musician of Auschwitz

They were young, looking forward to the future with great expectations; they felt at home in Breslau, the city with the third biggest Jewish community in Germany at that time. Then, Hitler came to power.

We Are Jews from Breslau

Documentary compiling the testimonies of the last remaining Holocaust survivors living in Britain, all of whom were children at the time, and following them over the course of a year as they embark upon personal and profound journeys.

The Last Survivors

Why was classical music so important to Hitler and Goebbels? The stories of Jewish cellist Anita Lasker-Wallfisch, who survived Auschwitz, and of star conductor Wilhelm Furtwängler, who worked with the Nazis, provide insight. The film centers around two people who represent musical culture during the Third Reich - albeit in very different ways. Wilhelm Furtwängler was a star conductor; Anita Lasker-Wallfisch, the cellist of the infamous Women's Orchestra of Auschwitz. Both shared a love for the classical German music.