A young man's tragic death at Beirut's seaside causes his friends to grapple with loss and to partake in his community's rites and ceremonies, exposing the city's schisms and its society's fault lines

Martyr

The director turns the diary of his sexual adventures into a serial narrative in the style of “One Thousand and One Nights”. This polyamorously-minded queer musical applies the same playful approach to folk tales as it does to Egyptian pop music.

Shall I Compare You to a Summer's Day?

Three friends take an 8-day road journey to make sense of Lebanon at this moment in time. Each detour in their journey makes for a spectacular experience of co-narration and listening in the face of uncertainty.

Shapes of Normal Human Beings

A night shoot. The Crew is exhausted. The Producer is enraged. The Director is lost. The Star is killed. The Gun is real. Everyone is a suspect.

Take 18

A visit to a cosmetic-surgery clinic and the discovery of a lump in his testicle and an abscess in his mouth confront filmmaker Selim Mourad with transience and decay in this unashamedly navel-gazing film essay. ‘Selim from Beirut’ is the last in a long list of names of extinct species he recites during a loveless Grindr meet up.

Moss Agate

At the heart of this bold and compelling hybrid film are questions about the significance of lineage and what is bequeathed. The film begins with Selim Mourad staging a portrait of his own nuclear family, in which he claims a place on his own terms while facing up to the fact that he will not father a family because he is same-sex loving. After his sister’s passing, Mourad became his parents’ only child, but he is burdened with the knowledge that he is the last male to carry the family name. Meanwhile, the old building where his family lives and was bequeathed by his grandfather, is falling apart, but neither his father, nor aunt, can afford the cost of repairs.